Rosephanye Powell has undoubtedly earned the place as one of our great female choral composers. Her writing style is accessible for singers of all ages, making her a popular composer featured on Honor and All-State Choir Programs. Whether writing a short octavo-length piece or an extended work, her knowledge of the voice, voice leading, and her gift for melody will ensure the consumer a high-quality composition.

Dr. Andre Thomas National Vice President ACDA, Visiting Professor of Choral Conducting, Yale University

Rosephanye Powell has been hailed as one of America’s premier women composers of solo vocal and choral music. She has an impressive catalogue of works published by some of the nation’s leading publishers, including the Hal Leonard Corporation, the Fred Bock Music Companies, Gentry Publications, Oxford University Press, Alliance Music Publications, and Shawnee Press. Dr. Powell’s works have been conducted and premiered by nationally and internationally renowned conductors and have been premiered at distinguished halls around the country, including Carnegie Hall, the Lincoln Center, and Spivey Hall, to name a few. Dr. Powell’s works have been commissioned by professional choral ensembles, including Cantus and the Grammy award-winning men’s vocal ensemble Chanticleer.

Dr. Powell is commissioned yearly to compose for university choruses, professional, community and church choirs, as well as secondary school choruses. Her work has been auctioned by Chorus America and her compositions are in great demand at choral festivals around the country, frequently appearing on the regional and national conventions of the American Choral Directors Association, as well as Honor Choir festivals. Dr. Powell’s compositions include sacred and secular works for mixed chorus, women’s chorus, men’s chorus, and children’s voices.

Recent commission and premiere highlights include: Quiet Revolutionary, a three-movement work for SATB chorus and piano commissioned by Harvard University choirs; Love Will Make A Way (SATB) premiered by the Metropolitan Youth Chorale of New York at Lincoln Center, NY; Get Busy (SATB) premiered and conducted by the composer at Carnegie Hall, NY; A Christmas Medley (SATB), commissioned by Chanticleer; I Want to Die While You Love Me (SSAA), composed for the ACDA Women’s Choirs Commission Consortium; Gospel Trinity (SATB), a four-movement work for narrator, chorus, piano and orchestra, commissioned by the Brehm Center for Worship, Theology and the Arts/Fuller Theological Seminary (CA) and premiered at the Lincoln Center, NY; With What Shall I Come (SATB), composed for the St. Olaf Choir and premiered at Carnegie Hall; The Cry of Jeremiah, a four-movement sacred work for narrator, SATB chorus, organ and orchestra, commissioned by the American Guild of Organists, premiered at the Lincoln Center, NY; and Ev’ry Time I Feel the Spirit, an SSAA spiritual arranged for The Sofia Chamber Choir “Vassil Arnaudov”- Bulgaria, Southeastern Europe.

Dr. Powell serves as Professor of Voice at Auburn University. She holds degrees from The Florida State University (D.M. in vocal performance, University Fellow), Westminster Choir College (M.M. in vocal performance and pedagogy, with distinction), and Alabama State University (B.M.E., summa cum laude). Dr. Powell served on the faculties of Philander Smith College (AR) and Georgia Southern University prior to her arrival at Auburn University in 2001. An accomplished singer and voice professor, Dr. Powell’s research focuses on the art of the African-American spiritual and voice care concerns for voice professionals (specifically, music educators, choral directors, and choral singers). She travels the country and internationally presenting lectures, song demonstrations, and serving as a workshop clinician, conductor, and adjudicator for solo vocal competitions/auditions, honor choirs, choral workshops and festivals. Recent commitments include Melbourne International Singers Festival (AUS); the New York State School Music Association (Rochester); the Georgia Music Educators Association Conference (Savannah); Middle Tennessee Vocal Association Treble Honor Choir (Nashville); the World Choir Games (Cincinnati, OH); the Italian Feder Gospel Choirs Workshop (Milan, Italy); Alabama Music Educators Association High School Honor Choir (Montgomery); Samford University (Lilly Fellows Program in Humanities and the Arts) (Birmingham, AL); South Carolina Music Educators Association State Conference (Charleston); AGO National Conference (Nashville, TN); Summer Sing Choral Workshop and Tuning at Tahoe Music Directors Workshop (Lake Tahoe, NV); and Capital Area Music Association (Harrisburg, PA).

Dr. Powell has received numerous awards including the “Luise Vosgerchian Teaching Award,” presented by Harvard University Office for the Arts in 2022. Additionally, she was honored with the “Living Legend Award” presented by California State University African Diaspora Sacred Music Festival in Los Angeles; and was a recent recipient of the Marquis Who’s Who “Lifetime Achievement Award.” She was listed in the first edition of the international publication Who Is Who in Choral Music. And, she has been included in Who’s Who Among America’s Teachers and Outstanding Young Women in America.

Dr. Powell is a member of the American Society of Composers, Authors, and Publishers (ASCAP), the American Choral Directors Association (ACDA), Chorus America, the National Association of Teachers of Singing (NATS) and the National Collegiate Choral Organization (NCCO).